Temporal Restriction and Interest for the Elderly on Cultural Participation. The Case of Spanish Performing Arts 2019

Authors

  • Blas DÍaz León Universidad de Sevilla
  • Ignacio Martinez Fernandez Universidad de Sevilla
  • Luis Palma Martos Universidad de Sevilla

DOI:

https://doi.org/10.47743/saeb-2021-0030

Keywords:

performing arts; participation; interest; binary probit model; elderly population.

Abstract

This paper discusses the relationship of cultural participation in performing arts with the manifested interest. Using the data set from the Cultural Habits and Practices Survey 2018-2019 a binary probit model has been applied for the analysis. Emphasizing the role of aging in participation, especially for the group of the elderly and very old. The age variable is one of the most difficult variables to apprehend, in which the cohort effects, age itself and period should be considered. This paper is an approach to the study of the aging effect on cultural participation, which would be continued with the analysis of the Surveys in previous years. This work shows that there is no homogeneous behavior between participation and interest within the different performing arts. Presenting some of them differentiating features.

Author Biographies

Blas DÍaz León, Universidad de Sevilla

Departamento de Economía e Historia Económica

Ignacio Martinez Fernandez, Universidad de Sevilla

Departamento de Economía e Historia Económica

Luis Palma Martos, Universidad de Sevilla

Departamento de Economía e Historia Económica

References

Abbé-Decarroux, F. (1993). La consummation Culturelle et les processus de la formation des goûts. Revue suisse de sociologie, 19(3), 589-618.

Abbé-Decarroux, F. (1995). Demande artistique et preferences endogenes. Revue Economique (Paris), 46(3), 983-992. http://dx.doi.org/10.3406/reco.1995.409715

Aguado, L., & Palma, L. (2015). Factores que limitan la participacion cultural. Una mirada desde la economia de la cultura. Revista de Ciencias Sociales, XXI(1), 58-71.

Aguado, L., Palma, L., & Pulido, N. (2017). 50 anos de Economia de la Cultura. Explorando sus raices en la Historia del Pensamiento Economico. Cuadernos de Economia (Santiago, Chile), 36(70), 197-225. http://dx.doi.org/10.15446/cuad.econ.v36n70.53813

Ateca-Amestoy, V. (2008). Determining heterogeneous behavior for theater attendance. Journal of Cultural Economics, 32(2), 127-151. http://dx.doi.org/10.1007/s10824-008-9065-z

Ateca-Amestoy, V. (2009). El capital humano como determinante del consumo cultural. Estudios de Economía Aplicada, 27(1), 87-110.

Ateca-Amestoy, V. (2017). Si la participación cultural no es inclusiva, se corre el riesgo de que el consumo cultural de los más ricos se financie con los impuestos de todos. Campusa. Noticias de la Universidad del País Vasco. Retrieved from https://www.ehu.eus/es/-/n_20171013_participacion-cultural-ue

Becker, G. S. (1965). A Theory of the Allocation of Time. Economic Journal (London), 75(299), 493-517. http://dx.doi.org/10.2307/2228949

Becker, G. S., & Murphy, K. M. (1988). A Theory of Rational Addiction. Journal of Political Economy, 96(4), 675-700. http://dx.doi.org/10.1086/261558

Borgonovi, F. (2004). Performing arts attendance: An economic approach. Applied Economics, 36(17), 1871-1885. http://dx.doi.org/10.1080/0003684042000264010

Brook, O. (2013). Reframing models of arts attendance: Understanding the role of access to a venue. The case of opera in London. Cultural Trends, 22(2), 97-107. http://dx.doi.org/10.1080/09548963.2013.783175

Buigut, S., & Amaize, O. (2020). Determinants of theatre, dance, and art museum attendance in the United Arab Emirates. Journal of Heritage Tourism, 15(6), 612-625. http://dx.doi.org/10.1080/1743873X.2020.1719117

Chan, T. W., & Goldthorpe, J. H. (2005). The social stratification of theatre, dance and cinema attendance. Cultural Trends, 14(3), 193-212. http://dx.doi.org/10.1080/09548960500436774

Courty, P., & Zhang, F. (2018). Cultural participation in major Chinese cities. Journal of Cultural Economics, 42(4), 543-592. http://dx.doi.org/10.1007/s10824-018-9319-3

De la Vega, P., Suarez-Fernandez, S., Boto-Garcia, D., & Prieto-Rodriguez, J. (2020). Playing a play: Online and live performing arts consumers profiles and the role of supply constraints. Journal of Cultural Economics, 44(3), 425-450. http://dx.doi.org/10.1007/s10824-019-09367-y

Diniz, S. C., & Machado, A. F. (2011). Analysis of the consumption of artistic-cultural goods and services in Brazil. Journal of Cultural Economics, 35(1), 1-18. http://dx.doi.org/10.1007/s10824-010-9129-8

Espinosa Espinosa, A., & Palma Martos, L. (2019). Cultural Participation in the Main Colombian cities, 2008-2015. Scientific Annals of Economics and Business, 66(SI1), 37-58. http://dx.doi.org/10.47743/saeb-2019-0021

Falk, M., & Katz-Gerro, T. (2016). Cultural participation in Europe: Can we identify common determinants? Journal of Cultural Economics, 40(2), 127-162. http://dx.doi.org/10.1007/s10824-015-9242-9

Foote, J. A. (2002). Cultural consumption and participation. Canadian Journal of Communication, 27(2/3), 209-220. http://dx.doi.org/10.22230/cjc.2002v27n2a1295

Glevarec, H., Nowak, R., & Mahut, D. (2020). Tastes of our time: Analysing age cohort effects in the contemporary distribution of music tastes. Cultural Trends, 29(3), 182-198. http://dx.doi.org/10.1080/09548963.2020.1773247

Grisolía, J. M., Willis, K., Wymer, C., & Law, A. (2010). Social engagement and regional theatre: Patterns of theatre attendance. Cultural Trends, 19(3), 225-244. http://dx.doi.org/10.1080/09548963.2010.495277

Hallmann, K., Artime, C. M., Breuer, C., Dallmeyer, S., & Metz, M. (2017). Leisure participation: Modelling the decision to engage in sports and culture. Journal of Cultural Economics, 41(4), 467-487. http://dx.doi.org/10.1007/s10824-016-9275-8

Heredia-Carroza, J., Palma Martos, L., & Marin, A. (2020). Determinants of attendance frequency to flamenco shows in Spain. A cultural economic approach. Revista de Métodos Cuantitativos para la Economía y la Empresa, 29, 79-98. http://dx.doi.org/10.46661/revmetodoscuanteconempresa.3751

Katz-Gerro, T., Raz, S., & Yaish, M. (2009). How do class, status, ethnicity, and religiosity shape cultural omnivorousness in Israel? Journal of Cultural Economics, 33(1), 1-17. http://dx.doi.org/10.1007/s10824-008-9088-5

Lancaster, K. (1966). A new approach to consumer theory. Journal of Political Economy, 74(2), 132-157. http://dx.doi.org/10.1086/259131

Levy-Garboua, L., & Montmarquette, C. (2005). La demanda. In R. Towse (Ed.), Manual de Economía de la Cultura (pp. 179-198). Madrid: Fundación Autor.

Lévy-Garboua, L., & Montmarquette, C. (1996). A microeconometric study of theatre demand. Journal of Cultural Economics, 20(1), 25-50. http://dx.doi.org/10.1007/s10824-005-5050-y

McCain, R. (2005). La formacion del gusto. In R. Towse (Ed.), Manual de Economia de la Cultura (pp. 371-379): Fundacion Autor.

McCain, R. (2006). Defining Cultural and Artistic Goods. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the Economics of Art and Culture (pp. 147-167): Elsevier.

Miles, A., & Sullivan, A. (2012). Understanding participation in culture and sport: Mixing methods, reordering knowledges. Cultural Trends, 21(4), 311-324. http://dx.doi.org/10.1080/09548963.2012.726795

Palma, M. L., Palma, L., & Aguado, L. F. (2013). Determinants of cultural and popular celebration attendance: The case study of Seville Spring Fiestas. Journal of Cultural Economics, 37(1), 87-107. http://dx.doi.org/10.1007/s10824-012-9167-5

Prieto Rodríguez, J., Pérez Villadóniga, M. J., & Suárez Fernández, S. (2018). El consumo cultural: ¿cuestión de gusto o de precio? Observatorio Social de “La Caixa”. Retrieved from https://observatoriosociallacaixa.org/-/el-consumo-cultural_cuestion-de-gusto-o-de-precio

Reeves, A. (2014). Cultural engagement across the life course: Examining age-period-cohort effects. Cultural Trends, 23(4), 273-289. http://dx.doi.org/10.1080/09548963.2014.961274

Scherger, S. (2009). Cultural practices, age and the life course. Cultural Trends, 18(1), 23-45. http://dx.doi.org/10.1080/09548960802651203

Stigler, G. J., & Becker, G. S. (1977). De gustibus non est disputandum. The American Economic Review, 67(2), 76-90.

Suárez-Fernández, S., Prieto-Rodríguez, J., & Pérez-Villadoniga, M. J. (2020). The changing role of education as we move from popular to highbrow culture. Journal of Cultural Economics, 44(2), 189-212. http://dx.doi.org/10.1007/s10824-019-09355-2

Upright, C. B. (2004). Social capital and cultural participation: Spousal influences on attendance at arts events. Poetics, 32, 129-143. http://dx.doi.org/10.1016/j.poetic.2004.02.002

Van den Broek, A. (2013). Arts participation and the three faces of time: A reflection on disentangling the impact of life stage, period and socialization on arts participation, exemplified by an analysis of the US arts audience. Cultural Trends, 22(1), 46-53. http://dx.doi.org/10.1080/09548963.2013.757898

Wen, W.-J., & Cheng, T.-C. (2013). Performing arts attendance in Taiwan: who and how often? Journal of Cultural Economics, 37(2), 309-325. http://dx.doi.org/10.1007/s10824-012-9180-8

Downloads

Published

2021-11-23

How to Cite

DÍaz León, B., Martinez Fernandez, I. ., & Palma Martos, L. . (2021). Temporal Restriction and Interest for the Elderly on Cultural Participation. The Case of Spanish Performing Arts 2019. Scientific Annals of Economics and Business, 68, 35–52. https://doi.org/10.47743/saeb-2021-0030

Most read articles by the same author(s)

Similar Articles

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.